I have so much to do that I’m probably not going to be saying much in the blog until I get this done. I’m making changes to the website, but only where it’s helping me organize my material. I still have some writing and a lot of spinning over the next four weeks. There are still those everyday nuisances like sleeping, eating and doing laundry too. Fortunately, The Boyfriend is being incredibly understanding and helpful as the various domestic tasks grind to a halt and the place is taken over with spinning. I wish I could say as much about the landlord, who has chosen this week to start renovating the upstairs apartment.
Archive for July, 2005
The Pima cotton is giving me fits, but I got some writing and another swatch done anyway. I wove something roughly the size of a coaster with weft stripes of fuzzy llama yarn. I keep wishing I had a real loom but when I actually start thinking about it, what I need is a place to put a real loom. The loom itself is much less of an issue. I still have the table loom, but I’m not using it because there isn’t even a place for that. I have no table to put it on, and using it on the floor is horrible. Even if I had a better piece of floor than the high-traffic middle of the living room. So I did it on the frame loom, with string heddles and sticks and everything. I could have finished the fourth selvedge but I left it as fringe because it gets much more difficult as you get closer to the end. This is seriously primitive stuff, I had to pick up most of my pattern sheds by hand. I can keep one on a shed stick, but I’d have to tie up harnesses if I wanted the rest of them.
I went to Carolina Homespun yesterday, partly because I needed a tapestry beater and partly to just get out of the house. I picked up, err, “A Few Things” and looked at some other weaving stuff. One of the big problems with early weaving technology is that there is no simple warp spacing mechanism. With no reed to hold the warp in position, it’s very hard to maintain width for anything but narrow warp-faced fabric. It is possible to set up something with a rigid heddle, but the finest you can get with those are about 12 ends per inch. Seeing that most of my interest in weaving starts around 20, that isn’t much help.
With the writing, I’ve been trying to get all the Elements and Principles stuff done. I completely hate it because most of it is theoretical principles of design stuff. Supposedly these are the qualities of good visual composition, but it’s all very eurocentric and doesn’t consider the many non-Western artistic aesthetics that don’t fit into it’s nice neat boxes. And it’s all visual. Tactile perception, a large part of textile design, isn’t even remotely considered. I’m supposed to provide “illustrations, photographs and/or small samples” for each item. I’m not going though the work to spin and weave swatches just to talk about theories of visual design, so I’m doing it with photographs. I selected the images, but I haven’t finished all the writing. I took one new picture, but mostly I just pulled old stuff out of my library. (Yes, they are all my images, I changed the resolution so they look ok online but that’s it. If I find someone is using them, you will be hearing from me.)
I need to get back to that cotton. Ick.
