SpinnySpinny

I’ve been trying to not obsessively check the package tracking, and I thought I was being fairly mellow about things. Then I realized I had a typo on one of my labels that made it incorrect. All my checking and checking again and reading over everything and making sure the right label with the right information got stuck on the right card and attached to the right object. I’m actually not all that surprised there was an error with all the different pieces involved. Each yarn had six printed stickers to go with it. And several times I stuck on the wrong one only to realize it seconds later. I tried to set up a system as much as possible so that I got everything together correctly, because this is a huge project to try to organize.

So, needless to say, I was in a panic. I calmed down enough to contemplate my possible options and then sent the mentor an email. It was still a little early here on the west coast to call her. But the registrar is in North Carolina, so I called her. She is the one who will be handling all the boxes anyway. She was exceedingly helpful and would be happy to attach a new label if I sent her the correct one. I was so nervous about it I even got which label it was confused. (I had the wrong number of plies, which is on the yarn index card, but the others are correct.) I immediately printed out a new label and stuck it in an envelope with a snippet of yarn for easier identification. I’ll run it over to the post office in a little bit and it will go out today. As much as the official instructions are intimidating, confusing and even occasionally conflicting, the people have been friendly and helpful and for this I am thankful.

Now, with that emergency resolved, I can continue on with my weekend. A bunch of local fiber folks are getting together for a retreat at someone’s home. I’m not bringing a spinning wheel and I even decided to not bring a spindle. I have some knitting to do, a gift project, that is about as close to mindless as you can get without it being a garter stitch rectangle. (It is basically a giant dishcloth, exactly the kind that aunts and grandmothers have been knitting of 4-ply cotton for decades.) Which is good, because I’m going to sit on my butt by the pool all weekend. I’m going to chat with friends and bake bread and knit and generally not do anything I don’t feel like. I might teach some weaving, I packed the frame loom and a bunch of assorted shuttles, shed sticks, weaving swords and rods.

I haven’t done much with updating the website, but I do have pictures of most things to put online. A few yarns went out without photos but I still have samples of most of those so I can at least have something up. I’m going to take it easy with that because I have a bunch of things to do, for this website and others. I have a ton of article ideas that have been on hold to get written, in addition to starting on my summary of the COE process. I’m not going to publish anything on that until I get the results back, but I’m starting to think about how this has gone and what I want to say about it. But right now there is a deck chair in Petaluma with my name on it.

The Pima cotton is giving me fits, but I got some writing and another swatch done anyway. I wove something roughly the size of a coaster with weft stripes of fuzzy llama yarn. I keep wishing I had a real loom but when I actually start thinking about it, what I need is a place to put a real loom. The loom itself is much less of an issue. I still have the table loom, but I’m not using it because there isn’t even a place for that. I have no table to put it on, and using it on the floor is horrible. Even if I had a better piece of floor than the high-traffic middle of the living room. So I did it on the frame loom, with string heddles and sticks and everything. I could have finished the fourth selvedge but I left it as fringe because it gets much more difficult as you get closer to the end. This is seriously primitive stuff, I had to pick up most of my pattern sheds by hand. I can keep one on a shed stick, but I’d have to tie up harnesses if I wanted the rest of them.

I went to Carolina Homespun yesterday, partly because I needed a tapestry beater and partly to just get out of the house. I picked up, err, “A Few Things” and looked at some other weaving stuff. One of the big problems with early weaving technology is that there is no simple warp spacing mechanism. With no reed to hold the warp in position, it’s very hard to maintain width for anything but narrow warp-faced fabric. It is possible to set up something with a rigid heddle, but the finest you can get with those are about 12 ends per inch. Seeing that most of my interest in weaving starts around 20, that isn’t much help.

With the writing, I’ve been trying to get all the Elements and Principles stuff done. I completely hate it because most of it is theoretical principles of design stuff. Supposedly these are the qualities of good visual composition, but it’s all very eurocentric and doesn’t consider the many non-Western artistic aesthetics that don’t fit into it’s nice neat boxes. And it’s all visual. Tactile perception, a large part of textile design, isn’t even remotely considered. I’m supposed to provide “illustrations, photographs and/or small samples” for each item. I’m not going though the work to spin and weave swatches just to talk about theories of visual design, so I’m doing it with photographs. I selected the images, but I haven’t finished all the writing. I took one new picture, but mostly I just pulled old stuff out of my library. (Yes, they are all my images, I changed the resolution so they look ok online but that’s it. If I find someone is using them, you will be hearing from me.)

I need to get back to that cotton. Ick.

I have a third millspun reproduction and the Andean swatch now. The swatch is drying, so it will be a while before I can get pictures up. But on the second attempt, it worked nicely. A little weird warp tension here and there, and I have no clue about the traditional way to finish these things, but it’s done. I spent most of the day weaving, once I got it warped the correct way, it went quickly. Even if I did forget where I was every other pick for the first two repeats. I even found a use for those 0000 double pointed knitting needles I foolishly bought — they work great as shed sticks for needle weaving the starting edge. I wove in various ends that could conveniently be woven in and neatly tied off the rest. The other end has a fringe, to show how the overtwisted warp works and also because I didn’t want to fight to open smaller and smaller sheds.

Tomorrow is another fleece-buying opportunity, err, spinning event. I’m sure I will see all kinds of things there that I just Must Have Right Now, but I will have to avoid temptation. I already have too much raw fleece sitting around the living room in plastic bags because I can’t put it in the storage unit like that and it takes forever to wash 400g at a time in the sink. I was going to bring the swatch to weave but once I got into it I realized it was too fussy because I didn’t know the pattern very well. But I did get the bread started for my potluck dish! I had to promise The Boyfriend that I’d make a little one just for him, he really likes bread and I don’t bake as often as I used to. (Yes, I did indeed make the trek west with my wagon full of household goods and a jar of sourdough starter. I haven’t used commercial yeast for about eight years now.)

Last night was the monthly get-together at the local spinning shop. I picked up a few things I’ve been needing: new drive band, shed sticks for weaving and FLYER CLIPS!! Finally I can replace the nearly-dead ones on the Insanely Fast Flyer. Plying this Andean stuff just kills them. I’ve been trying to locate some replacements for months. Was it last summer? I don’t even remember anymore. I also got some Egyptian cotton top, which I will try for the fine cotton yarn and see if I like it better than the Pima. I picked up some alpaca/silk, not normally something I am interested in, to try it with the supported spindle. Early results are mixed, I may end up with the cotton pencil roving after all and this turns into a holiday gift exchange goodie. I really didn’t want to do a whole skein of cotton on the supported spindle. I’d rather not do anything on the supported spindle at all, actually.

I finished two of the millspun copies and added the new pictures. I spun the fat single for the Brown Sheep sample and then had to go back and remove twist because it had too much. Ick. Now I guess I’ll start on the next one, I’ll do both from commercial Merino top. The others would have come out smoother if I had done that, but I had to use fleece to match colors.

I’m waiting for the water to boil to steam more blue yarn for a second attempt at the Andean swatch. I hosed the warp tension so badly I gave up and pulled it apart. I can still use most of the yarn but I need more blue and white for the pattern. If I’m going to re-do the white yarn anyway, I am going to go get some different fleece out of storage. The Blue-faced Leicester is nice, but the staple length is shorter than I’d like. I think the Shetland will do. I hope to get it warped by this weekend so I can work on it at a local spinning event Saturday.

This winding skeins business is getting really old. I’m doing fast skeins right now, so it seems like I get two new ones finished for every one wound.

Before I started this project, I carded something maybe once a year. Once upon a time, when I had space for a drum carder, I would save up various bits and pieces and throw it all together for some random yarn for things like holiday gifts. I didn’t actually own a set of wool cards until recently and my cotton cards were mostly used as large flickers. I like smooth thin yarns and big pointy wool combs. I hate hand carding. But for most of these small skeins, it’s faster to hand card than go over to somebody’s house to use the drum carder. I’m only doing it if I really have to. I tried to hand card the Suffolk for the thick woolen, but I just can’t get a rolag big enough for the yarn I want. So I added it to the pile for the next drum carder visit.

Yesterday I was hand carding tow flax, of all things. I had saved up all the nasty bits from the Louet Superfine Top and I was thinking of using it for the thick linen yarn. So I made a pile of flax rolags. And I thought the llama was bad! The stuff gets all over the place, I don’t want to think about what I inhaled in the process. Then I sat down in front of a big pointy spike, err, the quill wheel, and spun a huge lumpy linen yarn. It was huge. And lumpy. Oh, and it’s fuzzy too. A little too fuzzy, actually. All that short fiber makes something that looks like burlap gone wrong. New content for the Misfits page! Well, at least it didn’t take very long. I’ll try it again after I do all the line flax, because I’ll have plenty of new tow from that. Better stuff, too.

This afternoon I started on one of the yarns I actually like. After that annoying cotton, I need a distraction. I’m doing Andean weaving yarn for one of the plying skeins. It’s a fine, high twist two-ply and not the least bit balanced. It’s not supposed to be. Since this is ignoring the requirement for balanced yarn, I’m also doing the plying swatch in Andean style weaving to show the results. The overtwist keeps the yarn from shredding — Peruvian backstrap weaving laughs at your wimpy yarn! This is my favorite type of yarn to spin and the Romney fleece I’m using goes fast. Of course, having the wheel set at 44:1 doesn’t hurt. The finished two-ply will be about 16 wraps per cm, or 40 wraps per inch. I ♥ Teeny Tiny Yarn!