This link arrived in my inbox the other day. I haven’t tried spinning old telephone parts yet, perhaps I should investigate further. I guess this would be the neighbor flock from the AT&T goatherd?
I didn’t do much spinning, but I did bring my wheel to Maker Faire. I ended up working the booth for one of The Boyfriend’s robot projects because they were short-handed. I got to see some people and play with robots a lot. I was Queen of the Flagging Tape and She Who Drives. When I did get a chance to spin, several people stopped by to chat and I taught a few folks how to use a spindle.
There were more fiber people with quite a lot of knitters showing up for a talk by Stephanie Pearl-McPhee, a knitting blogger. Like any good Maker, even one pressed into service at last minute, I was in the booth at the time. Such is life.
The Bizarre Bazaar was larger and had lots of interesting things and even some fiber here and there. I managed to lose my glasses in the craft hall and endured some minutes of panic until I discovered someone had turned them in to the volunteer table. I met dozens of people whose names I may remember if I can figure out where I put their business cards and/or flyers. As a non-tv person I had an interesting conversation with someone from CurrentTV (I work in the same building.)
I am still tired. And, of course, have zero pictures.
I tried out the new diz with the Merino I’ve been working on. I’m not used to a metal one so it took some adjustment. I have to be more careful to not pull too much fiber at once because it is not at all forgiving. Even with the plastic button I could kinda wiggle it through, and the milk bottle one would just get a larger hole (a different sort of problem.) I also have to remember not to let go of it. The button is small enough that I can leave it hanging there but this will pull the fiber apart.
There is one more bobbin and then I can start plying, I only started this project two years ago. Now that I have the new drum carder I may do more of this fleece flicked and carded, but for now I’ll continue with the combs. I’m not convinced there would be any observable difference, but I feel like I should be consistent and not change things in the middle.
I’ve been busy sewing the past couple weeks, I need to replace my wardrobe again so I’ve started re-working existing patterns and checking out new ones. Right now I’m making some basic dresses as pattern tests, out of whatever fabric I’ve got lying around from projects that never happened.
One was particularly interesting, it’s made from an old fitted sheet I found at Goodwill. The elastic was crumbling and I suspect it was from a child’s room as it has marks on it that look suspiciously like felt-tip pen. I used it to make this princess-seam dress:
Yes, it is indeed shorter on one side than the other. Because I am shorter on one side than the other. I’m often lazy and don’t do it, but it is better to adjust at the shoulder seam than the hem. That way the garment hangs straight.
It is a printed knit with a one-way design of stylized flowers on white. But the print is sideways so the crosswise stretch is top to bottom, opposite of normal garment fabrics. There isn’t a lot of stretch in the other direction but this pattern was intended for woven fabric, so that’s ok. I can tell how the bodice and sleeves fit (too small across the bust) knowing that the result will be wearable anyway.
The weird thing is that it is strangely stiff for a cotton knit. (I haven’t actually done a burn test to know the fiber content.) It resists pins and needles and leaves behind what looks like little shreds of paper instead of normal lint in the sewing machine. The holes left from pins are also quite noticeable. This would suggest damaged fiber and I see catastrophic structural failure in my future. But I wasn’t exactly making an heirloom piece here.
The local newspaper has an article about a designer that specializes in pleated fabrics. The video of the manufacturing facility is interesting. Aside from new fabrics that can be permanently heat-set, pleating hasn’t changed much in thousands of years. Garment sections are pleated before final stitching and blouses are hand-manipulated multiple times to form complex pleat structures.
