SpinnySpinny

I’ve been using a button as a diz, to pull fiber off the combs and into an even top for spinning. It works, but is a bother because the fiber tends to migrate around to the front side and tangle. And it is always getting lost. So this weekend I happened to be at a little get-together with The Boyfriend, where there just so happened to be your basic backyard machine shop. Because, you know, everybody’s got a machine shop out in the garage. Go burners!

Anyway, our host gave us a tour and some time later I was encouraged to go play in the shop. I used to do a bit of metalwork, long long ago, but it was entirely with hand tools. And blacksmithing, not cold metal. So while I’m generally familiar with the concept, I hadn’t used a drill press since middle school. My most recent experience was making hot metal flat and/or pointy with a homemade brake drum forge nearly ten years ago. And had no idea where anything was in somebody else’s shop.

So I rummaged around and found a suitable piece of flat steel. I bent it into a likely shape in the vise, we cut it to size, rounded the edges and then I polished it. Yes, it will rust, but I’ve got plenty of other steel equipment that I manage to keep in working order so I’m not worried about it.

What I am worried about is finding a new hobby. Or more correctly, picking up with an old one that I haven’t messed with in forever because I like living in cities. I’ve promised to bring the combs next time.

I thought I had posted this picture already, but no. I’m almost done with the first half of the wool/silk, I’ve decided to make a 2-ply weaving yarn. I’ve got plenty of the natural color wool to go with it. The silk has some noils in it and I didn’t want to try to use it as warp without plying, so I’ll just do all of it the same.

I’m picking out some of the larger lumps from the silk, but mostly just spinning. Normally I want perfectly smooth yarn but the haphazardly dyed silk just isn’t going to let that happen and I have to get over it. I split the batts into strips and pulled each into a long roving. After all that I wonder if it really is faster to drum card than comb, but I would have never gotten the same color blend that way.

I thought I was terribly rambling and had way, way more things that I could have said, but the talk this week went really well. It was a small group so we encouraged questions along the way and passed around stuff to look at. I brought samples and equipment and books and all sorts of things. Everyone liked the loom and really really liked Alfred’s antique spinning wheel. The two of us could talk about historic textiles for days.

It’s official, we are finally on the updated calendar page. And I’ve even got the loom ready! Now to pull out the books and samples.

I’m making a model of a warp weighted loom for an upcoming talk. It’s hardly pretty, what with my carpentry skills and all, but it’s functional. This is the loom of classical antiquity and the Viking era. I recall a comment in an archaeology book how at many sites you can’t go more than a few meters without finding a loom weight. (Mine are bags of gravel.) One of the interesting things about vertical looms is that several weavers can work at one wide loom, passing bundles of weft along as they go. This can be found in fragments that have crossed wefts, jumping from shed to shed throughout the fabric.

I have a few more adjustments to make it really usable, my intention is to have it for demos and let people try it out. It’s portable (sorta) and not easily damaged. I can’t weave much because I can’t hold my arms up for more than a few minutes, but I can show people what to do with it.

Here’s a picture of mine. Much more information can be found from my friend Carolyn Priest-Dorman on her Warp-Weight Loom page.